This exhibition traces a transformation in identity, shifting from the fundamental question of "Who am I?" to the empowered inquiry of "Who can I be?" Through the artist's pursuit and the discovery of Indigenous traces, these experiences are distilled into an objectified form for comparison, gradually shaping the emergence of a self-determined subject. Embanah operates on two levels. First, it acknowledges that encountering traditional remnants requires translation, a process that is inevitably flawed. These cultural gaps necessitate imaginative reconstruction; while the "original" can never truly be reclaimed, new meanings emerge from the fragments. Second, the project adopts an anthropological gaze toward identity. Much like Japanese-era researchers who crossed Taiwan’s rugged terrain to archive Indigenous life, the artist positions the "Other" as a subject for study. Through this process, culture and people are rendered into observable, transparent objects, inviting a critical reflection on how we see and categorize the self and others.