Imprinted Surface: Skin, Paper, and the Wounds of the City begins with a small, bodily experience—like pressing a fingernail into swollen skin to make a cross-shaped mark after an insect bite in the summer, an instinctive gesture to relieve the itch. It is a form of touch and observation prompted by discomfort, a small act of responding to irritation through sensation. “Imprinted Surface” refers not only to swelling skin and emerging traces, but also to a process of gradual revelation: through moments of pause and lingering, attention slowly shifts toward what is fragmented, fleeting, forgotten, or perhaps in need of being forgotten. Continuing the artist’s recent exploration of paper, wounds, and vulnerable states of perception, the exhibition extends its focus from personal bodily experience into urban public space. Using the city park as both setting and point of departure, the works emerge from gestures such as gathering fallen leaves, resting on benches, and attending to street remnants and bodily traces, reconsidering relationships between shelter, pause, seeing, and being seen within the city. Combining printmaking with thermochromic and photochromic inks, the works resist immediate visibility. Viewing becomes a process that requires closeness, waiting, and participation. Between visibility and invisibility, the exhibition seeks to slowly bring forth the overlooked traces of the city—wounds, memories, and moments of temporary pause.