An exhibition created through an open-call process suggests that, long before the works enter the space, the artist must first persuade—through written documents rather than artworks—the institution, the audience, and even themselves to believe that they, as an artist, are able and qualified to realize a compelling exhibition. This exhibition continues from Wang Young-Hsiang’s earlier solo show In Between Exhibitions: The Sidestepping Presences. In Project Title: In Between Exhibitions Becoming a Presence, the core concept of “sidestepping the exhibition space” is expanded. The exhibition brings attention to the often-overlooked labor of behind-the-scenes cultural workers, as well as the aesthetic possibilities that occur in the in-between space—within the work that happens between exhibitions. Through this approach, the exhibition becomes a medium that reintroduces these hidden processes and gestures to the viewer. With curator Chang Tsu-Wei joining the project, the original proposal format titled Project Title: In Between Exhibitions Becoming a Presence is adopted directly as the exhibition title. This shift not only continues the artist’s investigation into artistic labor, but also expands the focus to include the curator as a cultural worker—as both artist and curator navigate the conditions of capital, audiences, and institutional frameworks before the exhibition officially exists. By extending the question of “How is an exhibition formed?”, Project Title: In Between Exhibitions Becoming a Presence includes artworks, planning documents, advertisement placements, public talks, and discursive programming. Through these multiple components, the exhibition is no longer presented solely as a finished outcome, but becomes an ongoing artistic event—one that unfolds through process, negotiation, and shared reflection.