‘Industrial sense’ and ‘trademark sense’ are a kind of memory connection for Lee. Having grown up in an industrial area, the images of the city he retains in his mind are those of a persistent and monotonous landscape of factories, and the various shapes and colors of the signs, logos, and billboards that accompanied them. Using these signboards and trademarks as objects of reproduction, the method of copy printing has become a way for Lee to express emotional dependence on these sites. He embraces a celebratory attitude whilst engaging in this ritual, establishing both a personal commemoration of past cityscapes and a means of both mourning and preserving values which are slowly fading into the past. Once symbols endowed with the prosperity of the times, these now dilapidating factory signs and trademarks are becoming lost amidst the gradual erasure of modernization; indeed, to the modern mindset they appear to be urban cultural relics left to languish alone in some dark corner. However, through his actions, the artist creates a connection point between image memory and his copy prints － pirated reproductions made under the pretext of “sharing” － which allows him to replicate the values signified within these symbols. In this way, Lee does not simply duplicate the names and logos of these late-modern industries, but at the same time he is able to reproduce the urban fabric of the city they helped to shape. The works thus become a way to transfer the historical value and meaning of these symbols as gifts for future generations.